The Dutch Republic and Stuart England were major centres of political power and cultural efflorescence in the seventeenth century. There were close and at times fraught political and cultural relationships between the two countries, which saw the exchange of diplomats and artists as well as intermarriage and war. The Republic was a complex space, since it had both financially and politically powerful cities, especially Amsterdam, but also had a court based in The Hague that served as a figurehead, site of international diplomacy and princely display. This paper will examine the production, patronage and display of art and its function within the political, religious and social frameworks of the court and the city. It will focus on Amsterdam and The Hague in the Dutch Republic and London as the epicentre of the Stuart court. The full panoply of visual and material culture will be discussed including painting, sculpture, tapestries, prints, clothing, jewellery and interior decoration. Gender will be a key theme, since women played active roles as patrons and subjects of art. Artists covered include Rembrandt, Van Dyck, Honthorst and Inigo Jones.